Video portfolio

Travel films shot solo, from scouting to final edit, across a dozen countries. Iceland, Norway, Japan, South Korea, Indonesia and the national parks of the American West: handheld camera, drone wherever local rules allow, and an edit built as a story rather than a run of pretty shots.

The aftermovie is the format that brings an event back to those who were there and makes those who missed it wish they had come. Regattas, freshers' weekends, campaign weeks: pace beats completeness, and three to five well-cut minutes beat fifteen exhaustive ones nobody finishes.

A three-part documentary on student election campaigns, filmed over eight months from twenty-five interviews and screened in cinemas. It is the longest project I have led: writing, long-form filming, editing and a public release.

Company films, product videos and filmed talks. The work starts before the camera: framing the message and the audience, because a two-minute film carries one idea, not five.

Filmed interviews and portraits, in companies and institutions alike, from the French National Assembly to Campus Cyber. Controlled lighting, careful sound, and an edit that keeps the point and cuts the rest: a good interview is judged on what stays with you, not on its length.

Live coverage and multi-camera show production: public speaking finals, discussion panels, broadcast events. Live is unforgiving, everything is decided in the preparation and in where the cameras stand.

Short formats and short films: filmed choreographies, tightly constrained commissions, exercises in style. This is the ground where things get tested, and where you learn what later serves on client shoots.